Imelda Marcos is a mythical figure. The Filipino consciousness
has blown her up to herculean proportions, as Ferdinand has also been. The
documentary Imelda, which the lady
herself has tried to censor, provides a straightforward account on the character
and history of Imelda as both the myth and the reality.
Her youth was not short of spectacular as her later years
were. She was acquainted with some of the most preeminent historical figures, including
Douglas MacArthur. She was the epitome of beauty, grace, and talent. The people
who surrounded her were no less convinced that she was, in fact, perfect.
More so were her life as Mrs. Marcos, when she graced
Ferdinand’s presidential campaign and led him to win by landslide. There was no
doubt that she was used as a mechanism for the win, but she was immediately paid in power, ruling beside (and not behind)
her husband.
Everything she’s done in the Marcos Regime – from the
manifestation of her so-called edifice complex to controlling the birth rate –
had a massive impact, even after they had fled to exile. Imelda saw life from
the point of view of beauty, and even her perception of Martial Law was such.
When asked before what the biggest contribution of Martial
Law was, Imelda answered that it was the ‘restoration of democracy,’ sincerely and
charismatically, as if she believes it. This is what surprised me most: Imelda
saw history differently, she absolved her family of any guilt, and chose to
blur out the not-beauty, when the whole world saw a dictatorship and the
destruction of democracy.
All in all, Imelda
painted a picture of the Steel Butterfly with all her beauty and crooked edges,
realistically bringing to life the myth that is Imelda Marcos to the mortal
comprehension.
Christine Joy L. Galunan
Christine Joy L. Galunan
2013-50860
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